365 No. 12: People in Parts
A reboot on my Faces theme, I wanted to do another project that featured people coupled with a conversation every day. I allowed myself the freedom to compose each photo differently and I gave my subjects an out if they were willing to play along, but didn't want to show their face in the photo.
I asked another question again as well, as I learned last time this was a great way to make a connection and start conversations. And this is part of what I wanted out of the project: connections and conversations. We're so divided now, and so addicted to dopamine hits from all kinds of sources, but especially our phones. We all know it on some level something is profoundly wrong. Conversations are a small but effective way to slowly begin righting the wrong.
The paramters: 16x9 again, all color, fisheye lens for some arty fun and a serious challenge for me.
365 No. 11: Monochrome
The idea was to shoot a year on film using the same film, camera, lens, developer, and subject matter. I immediately encountered issues, of course. I did a test roll a week before to ensure the camera I chose, a Canon F1, didn't have light leaks. However, I used a new developer and had the ratio incorrect when I mixed it. (It turns out HC110 has TWO ratios floating around on the web, a European ratio and an American ratio.) I overcooked a few rolls of film before figuring this out. And then I discovered I had light leaks in the F1 anyway. So a week into the project, I started over and changed the camera to a Canon T70.
This is to say nothing of my film conundrum. I wanted to shoot Kodak Tri-X, my absolute favorite. But it's been a while since I shot film regularly, and the cost of it had risen dramatically, something I didn't realize until I went to order my first stash. For everyday shooting for a year, I couldn't justify the expense of Tri-X, so I decided to switch to Ilford HP5+. It's not my favorite, but we learned to get along.
My Monochrome is almost, but not quite Monochrome, as there were hiccups along the way. The parameters: Canon T70, Ilford HP5+, Kodak HC110 (h) developer, "Looking UP" for the subject matter prompt in the beginning, which I changed to circles in January (you'll see why if you poke around), 1:1 ratio.
365X: Doorways
My tenth (!) project, and the first one in which I used another person's suggestion for a theme. A friend mentioned it could also serve as a creative metaphor: do I continue doing them past this year, or do my projects take on a different flavor? I'm leaning towards the former, as I know I still have the emotional stamina to continue. For now, anyway. (I do think taking a good break between projects helps enormously.)
The camera: Pentaxk1, any glass.
The parameters: all digital but no phone photos, 5:7 aspect ratio, color, and only doorways in buildings.
365 No. 9: Faces
365 No. 8: Reflections
365 No. 7: Analog
365 No. 6: Cyanotypes
This was a huge project. I did my standard take-a-photo-a-day for a year, but then I developed and printed each photo using a technique called cyanotype, which dates back to the 1870s. So this means for every photo I took, I then had to convert it to black and white, then convert the black and white to a negative, then print the negative so I could develop and print the photo. As if that wasn't enough, I also printed a book for every month, which meant printing all the photos again in book format. That was the biggest pain in the ass, and I cursed myself constantly throughout the year for coming up with this aggressively time-consuming project.
The whole thing nearly did me in.
My final product did make it into an art show called Fiberworks in 2019, so I was proud about that.
I have NONE of the digital photos of the orginal printed cyanotypes on hand, because at the time, this website was not even a figment of my imagination. I do thankfully still have all the photos, but this particular year is going to take a lot of work, so for now, here's a stack of a year's worth of cyanotypes.